Originally designed by Fanny Aronsen, Harald comes in a new colour palette conceived by Raf Simons offering a particularly large selection of vivid keynote tones, including primrose yellow, burnt orange, raspberry, lavender, aubergine and dark mint green, alongside more natural tones. Harald is a durable fabric suitable for use as curtains as well as in upholstery.

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The construction of Fiord combines a mélange yarn with a unicoloured yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.

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The gentle satin surface finish of the weave contrasts with the deep shadowy tones in the depths, giving a multifaceted richness to the intense colours in the range.

Tightly woven, without the irregularities of the other bouclé fabrics within this collection, Vidar has an inviting texture, which variously recalls blackberries, orange peel or the comforting close-knit texture of a favourite sweater.

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Made from wool, Coda is woven in two layers, with each in a different colour: it is the hue of the base layer that is surprisingly revealed as the viewer approaches the textile. This distinctive construction also serves to accentuate the three-dimensional character of the fabric and the rhythmic pattern of its bold texture.

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Hero 2 exemplifies Kvadrat’s commitment to Conscious Design Principles. It is primarily woven from wool, a renewable resource, and is re-engineered to contain recycled nylon instead of virgin nylon. Consequently, it is suitable for recycling.

The expansive new palette for Hero 2 showcases Patricia Urquiola’s singular approach to colour design. It comprises a dynamic scale of subtle yet vibrant hues inspired by nature that explore tonal associations, including a series of non-traditional interpretations of red.

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Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the colour. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.

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Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise – yet multidimensional – expression.

The expansive colour scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.

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Remix 3 looks unicoloured from a distance but reveals subtle details and colour contrasts when viewed close-up. The textile features a tight, minimalistic weave, and derives its lively colour play from a combination of two different mélange yarns, which each combine up to three hues.

The new colours – carefully selected from 2600 samples– are inspired by an extensive study of traditional Indigo dyeing undertaken by Giulio Ridolfo on his travels. Centred around deep combinations of blues and rich natural reds, they also include subtly coloured neutrals.

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The three-dimensional surface of Steelcut Trio resembles small pyramids or steel points. Despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently coloured yarns.

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